Skip to main navigation Skip to main content Skip to page footer
LOGO

 

For no real reason other than the foolish human yearning for order and symmetry, we have often thought of the ‘Big Three’ of German thrash – Sodom, Destruction, and Kreator – as having a cross-hemispheric counterpart in the ‘Big Three’ (for us, at least) of Brazilian metal: Sarcofago, Sepultura, and KRISIUN. Though the analogy is inexact in many ways, both countries seem to have imparted a specific regional character to their bands, though KRISIUN hews most closely to the comparison of the Brazilian lot due to its status as a reliable bulwark of death metal righteousness. That righteousness is evident in the fact that Krisiun’s career to date has been devoted, in large part, to answering the question: What would happen if, after releasing Altars of Madness, Morbid Angel guzzled a barrelful of amphetamines, stayed awake for a week, and recorded an album of merciless death using jackhammers, downed power lines, and salmon-starved grizzly bears in lieu of traditional musical instruments? In short: KRISIUN kicks fucking ass. 

 

KRISIUN

All appearances of KRISIUN on Party.San Metal Open Air